100 Main Character Energy Monologues is a practical, actor-friendly collection of contemporary monologues written to actually be used. No heavy backstories, no hidden context, no need to explain who just died offstage, no needing hours of research just to get a monologue off the ground..

Each piece stands on its own, making it ideal for auditions, drama classes, showcases, or cold reads. The monologues are flexible, mostly gender-neutral, and work for teens through adults. There’s also a separate collection of 50 monologues for teens and schools, written with classroom-appropriate content and language.  Whether you’re a student finding your voice or an experienced actor wanting material that feels current and honest.

I wrote this because actors need monologues that actually work in the room. Pieces that are clear, playable, and alive without needing extra explanation. These are monologues you can step into quickly, make your own, and let speak for themselves. 

Link to Amazon paperback version 100 Main Character Energy Monologues.

Link to paperback version 50 Main Character Energy Monologues for Teens.

I wrote this play when I needed to give parts to 44 students across three different drama classes. I wanted every single student to have a real acting challenge. Because of this, this play that is actually three plays in one. Each part has a challenging aspect, each character has their own arc, and there are opportunities for multi-rolling or role-sharing. The Fates of Olympus invites audiences to journey along three distinct paths: The Olympian, The Cretan, and The Athenian. Each offers a different entry point into the myths, mysteries, and moral dilemmas of the ancient world.

Blending Greek myths with threads of global mythology, this play explores universal themes of belief, culture, and the evolving nature of the divine. It is flexible for large or small casts, with the option to double roles, and offers directors and actors the freedom to interpret characters in fresh ways. It is immersive, dynamic, and genuinely fun to produce.

I didn’t want this to be just a play. I wanted it to be an exploration of humanity’s oldest questions by stepping into one of the Western world’s most influential ancient cultures. The Fates of Olympus can be staged as site-specific, immersive, promenade, or traditional theatre, or used as strong standalone scenes for a drama showcase.

Link to Amazon paperback version.

Book website. 

When Sherry and I wrote 1984: An Expressionist Play, our goal was not to follow the novel scene by scene, but to recreate the world of 1984 and allow the audience to experience it more viscerally as a promenade or immersive theatre piece. Rather than retelling the story, the script echoes George Orwell’s iconic world and invites the audience to step inside it.

The play explores two divergent paths of life within the oppressive regime of Oceania. Inspired by Orwell’s 1984, the script is a mosaic of scenes that offer glimpses into the lives of various characters living under a dystopian society.

1984: An Expressionist Play is designed not only to entertain, but to challenge. By embracing Expressionism as a theatrical form, the production aims to engage audiences intellectually and emotionally, encouraging reflection, debate, and a confrontation with societal injustice.

In the tradition of Expressionist theatre, the play reflects contemporary struggles while holding out a cautious sense of hope for change. Through its disorienting and provocative journey, the script invites performers and audiences alike to step into the darkness of this world and emerge with a renewed sense of urgency.

Link to Amazon paperback version.

Book website.